What do TV casting directors actually want in a self-tape? We’re scrubbing in with acclaimed Casting Directors Debbie Romano and Brett Benner of Romano/Benner Casting. From One Tree Hill to Scrubs to ABC’s Scrubs revival to Apple TV’s Shrinking, these two are a true powerhouse pair.
Sitting down with host and actor Robert Peterpaul, they break down auditions from a casting perspective and share how actors can make smarter, more grounded choices that actually lead them to getting on set.
In this episode for actors, you’ll learn:
- The real key to nailing co-star auditions (and why less is more)
- How to approach self-tape auditions with clear, effective choices
- Why nerves can actually improve your performance
- When chemistry reads matter—and what casting is watching for
- How and when to send two contrasting takes
- Where improvisation helps—and where it can hurt your audition
- The difference between grounded comedy and “too big” for camera
- Behind-the-scenes insight into casting Shrinking, Scrubs, and more
Submit your questions for future episodes, and if you enjoyed this conversation, please share it with a friend and leave us a review!
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Brett Benner: I do think it’s important that you understand if the show is available to be seen to try to watch even a few minutes of the show to get a sense of tone. I also think it’s ok to, you know, and this goes back to a different point, but it’s related to the breakdown…
If you are given the opportunity, and most offices have to, it’s what we should be doing, giving people an opportunity to come in live. Whether it’s a Zoom or if the [casting] office has an office, take that opportunity.
Because it’s the chance for you to get in the room and say, “Hey, can I ask questions? Can I do those things? Is this broad? Is it grounded? How is this particular thing played?”