Ironbound AEA 50-seat play - Casting Networks
PROJECT DETAILS

Ironbound Aea 50-Seat Play

Theatre AEA
San Diego
Synopsis:

Over the course of 20 years and three relationships, and in one location - at a New Jersey bus stop - Polish immigrant Darja negotiates for her future with men who can offer her love or security, but never both.

Roles For This Project

  • Theatre

    Vic

    $1000 Stipend for al...

    Role Rate:

    $1000 Stipend for all rehearsals and shows
    Man, Trans Man Los Angeles 18 - 30 AEA Theatre
    Submissions Due: 02/04/2026

    18-30 to play 16, 17 or 18 A Seton Hall Prep high schooler who Darja encounters at a bus stop one night. Vic escapes an unsafe home by slipping into the city at night, seeking freedom, agency, and self-expression through risky late-night activities. Darja is wary of him at first, but Vic quickly pro... [See More]

Project Details

Project Notes

Rehearsals: March 29th - April 30th, nights and weekends Opening Night - May 1st, Friday Closing Night - May 18th, Monday Performances: May 1st - 18th - 9 performances - Fri, Sat, Sun, (1) Monday Possible Extension: May 4th & May 11th Producers’ Statement: Loveborg Productions was born from a shared artistic and personal partnership between Emmy-winning producer Marisa Van Den Borre and award-winning actor Chad Coe (Monster, Abbott Elementary, Matlock). Drawn to storytelling rooted in rich, complex characters, Ironbound represents theater at its most human. As actors, we were eager to savor Martyna Majok’s language and create space to fully inhabit her words on stage. As a married couple, this project also marks a return to our theater roots, where we first met performing together in Resolving Hedda. We are beyond excited to create something truly special. Director’s Statement: The world of Ironbound is a world of constant less. Less safety. Less softness. Less margin for error. Less room for growth. More grip. More demand. More push. It is a world built on counting—numbers, math, keeping track, keeping score—because survival requires constant vigilance. Nothing is wasted. There is no such thing as “extra.” This play is an exercise in endurance. It is not linear, because survival is not linear. It asks: What lengths will you go to for the one thing you have that no one can take from you? My Polish blood and New Jersey roots shape my desire to honor the beauty of struggle that lives inside this play. Darja’s rigid hope, her unexpected humor, and her sharp negotiations fuel a journey worth placing onstage. And it is my own rigid hope that a life - through grit, wit, will, and Bruce Springsteen’s Secret Garden - can be carved into something that feels - however briefly - settled, meaningful, and held.

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