Anvil Ctv Campaign
Commercial
Non Union
We are casting two :30 commercial spots (with :15 cutdowns) for Anvil, a document automation platform. Both spots are workplace comedies shot in a single modern office location in Los Angeles. We’re looking for actors with strong comedic instincts, naturalistic delivery, and the ability to convey emotion through physicality and subtlety. This is a non-union shoot. Rates listed per role are all-inclusive flat rates for the shoot day. Meals provided on shoot day.
Roles For This Project
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Submissions Due:
02/19/2026
Professional, smart, composed. Not a wide-eyed kid — someone with enough experience to know that what she’s hearing doesn’t add up. This is a supporting role that’s almost entirely reactive — minimal dialogue, and her silence is the performance. Needs an expressive, camera-readable face that can con... [See More]
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Submissions Due:
02/19/2026
Direct, warm, patient. Not intimidating in the slightest — she’s just doing her job and probably feels a little bad about asking. The audience should like her immediately. This is a supporting, dialogue-driven role as the straight man in a workplace comedy. Natural, conversational delivery — not per... [See More]
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Submissions Due:
02/19/2026
Steady, unfazed, dry. She’s been at her desk through all of it and she’s the only person who actually knows what’s going on. Think: the last sane person in a building that doesn’t know it’s haunted, except she’s just doing her job. A small but pivotal part. Matter-of-fact delivery. Not mean, not dra... [See More]
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Submissions Due:
02/19/2026
Thomas Middleditch meets Toby Flenderson. Soft, nervous, gentle. Not lazy — overwhelmed. Not shy as a person — specifically avoidant about one thing. Think of someone who dreads making phone calls but is perfectly fine in every other context. He tries to talk his way out of things but he’s such a ba... [See More]
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Commercial
$1,500 flat (include...
Role Rate:
$1,500 flat (includes rehearsal day)
Woman
Los Angeles
35 - 45
Non Union
Commercial
Submissions Due:
02/19/2026
Type A. Systems-oriented. Radiates competence. She’s genuinely, sincerely proud of a process that is objectively insane — she’s not complaining, she’s onboarding. Think of a flight attendant doing the safety demo for the ten thousandth time: the words are right but they’ve become muscle memory. She ... [See More]
More Roles For This Project
-
Submissions Due:
02/19/2026
Professional, smart, composed. Not a wide-eyed kid — someone with enough experience to know that what she’s hearing doesn’t add up. This is a supporting role that’s almost entirely reactive — minimal dialogue, and her silence is the performance. Needs an expressive, camera-readable face that can con... [See More]
-
Submissions Due:
02/19/2026
Direct, warm, patient. Not intimidating in the slightest — she’s just doing her job and probably feels a little bad about asking. The audience should like her immediately. This is a supporting, dialogue-driven role as the straight man in a workplace comedy. Natural, conversational delivery — not per... [See More]
-
Submissions Due:
02/19/2026
Steady, unfazed, dry. She’s been at her desk through all of it and she’s the only person who actually knows what’s going on. Think: the last sane person in a building that doesn’t know it’s haunted, except she’s just doing her job. A small but pivotal part. Matter-of-fact delivery. Not mean, not dra... [See More]
-
Submissions Due:
02/19/2026
Thomas Middleditch meets Toby Flenderson. Soft, nervous, gentle. Not lazy — overwhelmed. Not shy as a person — specifically avoidant about one thing. Think of someone who dreads making phone calls but is perfectly fine in every other context. He tries to talk his way out of things but he’s such a ba... [See More]
-
Commercial
$1,500 flat (include...
Role Rate:
$1,500 flat (includes rehearsal day)
Los Angeles
Non Union
Submissions Due:
02/19/2026
Type A. Systems-oriented. Radiates competence. She’s genuinely, sincerely proud of a process that is objectively insane — she’s not complaining, she’s onboarding. Think of a flight attendant doing the safety demo for the ten thousandth time: the words are right but they’ve become muscle memory. She ... [See More]
