Proof Of Concept
A scientist grieving for her daughter (who died in a motorcycle accident) recreates the girl repeatedly...as a machine. When the latest machine malfunctions and figures out what she is, she asks to be switched off...and the mother must decide whether she can let go of what has become her emotional crutch and life mission.
Roles For This Project
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Student Film
$100 stipend per day...
Role Rate:
$100 stipend per day + SAG-Deferred rateWoman
San Francisco
18 - 21
SAG-AFTRA, Ultra Low Budget Film
Student Film
Submissions Due: 07/06/2026
The synthetic daughter, and the moral center. Plays a teenager's lightness and a dead girl's grief in the same body, then goes cold as she realizes what she is. The trick is she's more human in asking to die than her mother is in keeping her alive. Convincing physical acting work required for the sp... [See More]
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Student Film
$100 stipend per day...
Role Rate:
$100 stipend per day + SAG-Deferred rateWoman
San Francisco
40 - 52
SAG-AFTRA, Ultra Low Budget Film
Student Film
Submissions Due: 07/06/2026
Female, 40s-50s. The lead. A scientist and a mother, and the film is the war between the two. Brilliant, funny, and lying — to Lisa, to Evan, to herself — about what she's willing to do to not be alone. Has to make obsession read as love and still let us see the cost. The role turns on one thing: sh... [See More]
More Roles For This Project
-
Student Film
$100 stipend per day...
Role Rate:
$100 stipend per day + SAG-Deferred rateSan Francisco
SAG-AFTRA, Ultra Low Budget Film
Submissions Due: 07/06/2026
The synthetic daughter, and the moral center. Plays a teenager's lightness and a dead girl's grief in the same body, then goes cold as she realizes what she is. The trick is she's more human in asking to die than her mother is in keeping her alive. Convincing physical acting work required for the sp... [See More]
-
Student Film
$100 stipend per day...
Role Rate:
$100 stipend per day + SAG-Deferred rateSan Francisco
SAG-AFTRA, Ultra Low Budget Film
Submissions Due: 07/06/2026
Female, 40s-50s. The lead. A scientist and a mother, and the film is the war between the two. Brilliant, funny, and lying — to Lisa, to Evan, to herself — about what she's willing to do to not be alone. Has to make obsession read as love and still let us see the cost. The role turns on one thing: sh... [See More]