Casting Calls - Rachel Jacobs

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About the Job

Rachel Jacobs

I Think My Roommate is a Serial Killer!

Philadelphia New York City

About the Job

Rachel Jacobs is the kind of woman who reads The Economist for pleasure, wears sunglasses even when it’s overcast, and says things like “I’m not racist, I just prefer order.” She's an upper-middle-class professional who prides herself on being polished, articulate, and in control — but that control is performative. Underneath the gloss is someone deeply anxious about her place in a changing world. She thinks she’s a “good person,” but her subtle microaggressions and casual entitlement tell a more complicated story.

Rachel is not a villain, just out of touch. She's the woman who would accidentally cut someone in line, then lecture them about civility. Her scene builds tension without her ever realizing she's in danger — she’s followed, not for being cruel, but for being blind to how she moves through the world.

Required Range:

Subtle comedy rooted in self-importance

Dramatic obliviousness

Quiet panic that builds without words

Nuanced confrontation with other women

More jobs on the same project

Job Overview

Web Series
Dollar bill icon representing the pay rate of an acting or modeling job on Casting Networks.
Rate -
Icon of a person representing gender.
Gender Woman
Birthday cake icon with one candle in the middle to signify age.
Age 22-45
Heart in the center of a triangle with circles at the points, symbolizing an actor’s union status, SAG-AFTRA or non-union.
Union Non Union
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Role Type Principal
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Rachel Jacobs

I Think My Roommate is a Serial Killer!

Philadelphia New York City

Job Overview

Already a Member?

Web Series
Dollar bill icon representing the pay rate of an acting or modeling job on Casting Networks.
Rate -
Icon of a person representing gender.
Gender Woman
Birthday cake icon with one candle in the middle to signify age.
Age 22-45
Heart in the center of a triangle with circles at the points, symbolizing an actor’s union status, SAG-AFTRA or non-union.
Union Non Union
Classic doodle of happy and sad theater drama masks for principal acting jobs.
Role Type Principal

About the Job

Rachel Jacobs is the kind of woman who reads The Economist for pleasure, wears sunglasses even when it’s overcast, and says things like “I’m not racist, I just prefer order.” She's an upper-middle-class professional who prides herself on being polished, articulate, and in control — but that control is performative. Underneath the gloss is someone deeply anxious about her place in a changing world. She thinks she’s a “good person,” but her subtle microaggressions and casual entitlement tell a more complicated story.

Rachel is not a villain, just out of touch. She's the woman who would accidentally cut someone in line, then lecture them about civility. Her scene builds tension without her ever realizing she's in danger — she’s followed, not for being cruel, but for being blind to how she moves through the world.

Required Range:

Subtle comedy rooted in self-importance

Dramatic obliviousness

Quiet panic that builds without words

Nuanced confrontation with other women

More jobs on the same project

Job Overview

Already a Member?

Web Series
Dollar bill icon representing the pay rate of an acting or modeling job on Casting Networks.
Rate -
Icon of a person representing gender.
Gender Woman
Birthday cake icon with one candle in the middle to signify age.
Age 22-45
Heart in the center of a triangle with circles at the points, symbolizing an actor’s union status, SAG-AFTRA or non-union.
Union Non Union
Classic doodle of happy and sad theater drama masks for principal acting jobs.
Role Type Principal

Rachel Jacobs

I Think My Roommate is a Serial Killer!

New York City

About the Job

Rachel Jacobs is the kind of woman who reads The Economist for pleasure, wears sunglasses even when it’s overcast, and says things like “I’m not racist, I just prefer order.” She's an upper-middle-class professional who prides herself on being polished, articulate, and in control — but that control is performative. Underneath the gloss is someone deeply anxious about her place in a changing world. She thinks she’s a “good person,” but her subtle microaggressions and casual entitlement tell a more complicated story.

Rachel is not a villain, just out of touch. She's the woman who would accidentally cut someone in line, then lecture them about civility. Her scene builds tension without her ever realizing she's in danger — she’s followed, not for being cruel, but for being blind to how she moves through the world.

Required Range:

Subtle comedy rooted in self-importance

Dramatic obliviousness

Quiet panic that builds without words

Nuanced confrontation with other women

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