About the Job
Ivy
Atticus and Olivia - Supporting and Day Players
About the Job
Supporting. Pays $250/D. 40 years old. Her visual appearance should read as 35-38.
Role: Antagonistic Family Member, Olivia's younger sister.
Demeanor: Status-obsessed, verbally sharp, and condescending. She embodies familial jealousy and serves as a vehicle for social humiliation against the protagonist.
Ivy serves as a representation of the skeptical family member who judges worth through material possessions, ultimately receiving poetic justice through social humiliation rather than physical confrontation. Her scenes exclusively involve verbal conflict and social status dynamics, making her a dramatic (non-physical) antagonist within the family subplot.
More jobs on the same project
200/D
Ivy
Atticus and Olivia - Supporting and Day Players
About the Job
Supporting. Pays $250/D. 40 years old. Her visual appearance should read as 35-38.
Role: Antagonistic Family Member, Olivia's younger sister.
Demeanor: Status-obsessed, verbally sharp, and condescending. She embodies familial jealousy and serves as a vehicle for social humiliation against the protagonist.
Ivy serves as a representation of the skeptical family member who judges worth through material possessions, ultimately receiving poetic justice through social humiliation rather than physical confrontation. Her scenes exclusively involve verbal conflict and social status dynamics, making her a dramatic (non-physical) antagonist within the family subplot.
More jobs on the same project
Ivy
Atticus and Olivia - Supporting and Day Players
250/D
Woman
Los Angeles
38 - 40
Non Union
Vertical Short
About the Job
Supporting. Pays $250/D. 40 years old. Her visual appearance should read as 35-38.
Role: Antagonistic Family Member, Olivia's younger sister.
Demeanor: Status-obsessed, verbally sharp, and condescending. She embodies familial jealousy and serves as a vehicle for social humiliation against the protagonist.
Ivy serves as a representation of the skeptical family member who judges worth through material possessions, ultimately receiving poetic justice through social humiliation rather than physical confrontation. Her scenes exclusively involve verbal conflict and social status dynamics, making her a dramatic (non-physical) antagonist within the family subplot.
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