About the Job
About the Job
The Mother is a woman in her late thirties to forties, composed and graceful in the way she handles conflict. She is nimble and patient, moving through the tension of her marriage with quiet restraint rather than anger. Even when her husband’s temper rises, she responds with control, choosing to breathe through the chaos instead of matching it. Her patience is not weakness—it is survival, a way of keeping the peace in a home that has long forgotten what calm feels like. In many ways, she reflects the same emotional intelligence and steadiness the Girl later shows. Both women carry a deep capacity for understanding, yet both eventually reach a breaking point when their love stops being enough. The Mother’s presence lingers as an unspoken echo throughout the film, her resilience shaping the Boy’s fear of loss and his instinct to shut down when faced with vulnerability. Please be aware that I am a high-school-level director, so I am a minor.
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Mom
The Things We Drive Past Parent Casting
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Woman
30 - 40
Non Union
Short Film
12/07/2025
Los Angeles
About the Job
The Mother is a woman in her late thirties to forties, composed and graceful in the way she handles conflict. She is nimble and patient, moving through the tension of her marriage with quiet restraint rather than anger. Even when her husband’s temper rises, she responds with control, choosing to breathe through the chaos instead of matching it. Her patience is not weakness—it is survival, a way of keeping the peace in a home that has long forgotten what calm feels like. In many ways, she reflects the same emotional intelligence and steadiness the Girl later shows. Both women carry a deep capacity for understanding, yet both eventually reach a breaking point when their love stops being enough. The Mother’s presence lingers as an unspoken echo throughout the film, her resilience shaping the Boy’s fear of loss and his instinct to shut down when faced with vulnerability. Please be aware that I am a high-school-level director, so I am a minor.
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